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The Song of the Stone

'This brown one,' he tells me, 'is over tenthem in my mind I know all about them. Look
years old. She has a good time here until shearound you, my animals, dogs, donkey,
dies of heart failure', he quips.I had parkedrabbits, ducks, and my birds, I have learnt
my car at the Stone Grill Restaurant nearfrom them, I know how they function.' What
Karaoglanoglu and walked along an alley ofabout your human figures, have you also
stone statues standing guard for the man Istudied them as closely? 'Oh yes I have, the
have come to interview, a legendary artist inhuman body has always been one of my main
many disciplines. A skilled carpenter -concerns through all my life. You know, I
perhaps you have one of his carved chests orhave been exercising mine every single day of
mirrors in your house. He was once an acrobatmy life, and it had thrilled me so much that
in the circus and for the past 30 years heI become an acrobat. 'Yes, I can see that,
expresses himself as a sculptor and artist inhis ladies are all very fit and, if I may say
questions of life. I stopped at a huge uncutso,  very acrobatic.
piece of stone, put my hand out to touch it.
Ali sees the question in my eyes. 'I buy myI want to know more. What kind of tools is he
stone from a place in the mountains nearusing? When I look at these huge pieces of
Gazimagosa . They put fire in the belly ofnearly two square metersl wonder how he cuts
the mountain and out come pieces like thisthem into a workable size? Does he use
one. It is like a birth. Not every piece iselectrical  power?
suited for my work. So, when I have to choose
from them, I use my axe to check the life in'What, oh no, never' he declares. 'My tools
them and I listen to the sound, the song ofare very simple, here is the axe to cut the
stone, I call it. When the stone sings to me,shape roughly and then I decide how to go
I take it. I like the stone to give me somefrom here. When I do a wild animal, I
resistance, when the sound is dull, nothingcontinue with the axe but when I do ladies, I
will come out of it.' Firestone anduse finer tools. Often I make the tools
sandstone, these are the types of stone hemyself to use them for a certain pattern. The
selects for his 'pictures'. He tells me thatdirection of the cut is very important, also
firestone has a finer grain while sandstonethe impact. It all makes the stone alive. I
is somewhat coarser and both are finemake scratches, punctures, waves by just
material to cut and to work with. 'come withusing the proper tool, and for the final
me,' he beckoned, ' I will show you. Thistouch I use a brush to polish it or I use
lady, I am working on now, is made ofsandpaper.''And then', he giggles, ' you can
firestone. You see, how finely you can workrub some earth onto the surface to make it
the surface? And here, this lion fighting, islook very old, and also, if you have time,
made of sandstone too.' Yes, I can feel theyou can bury the piece for a couple of months
difference.I follow him and touch the surfaceand the Department of Antiquity will never
of his sculptures that seen so human, sobelieve that you have made it yourself'. I
simple in expression and motion. You can seeask Ali if he also teaches sculpture.
the way his mind works, he is in no way'Sometimes.' And then I ask him timidly
complicated things. His love for animalswhether he would take me on as a student. '
becomes evident and I ask him how he hasYou tell me, when you are ready and I will
studied their anatomy. ' I have studied themteach you the song of the stone.
in my big book and in films and once I have



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